A young investigator fresh from the university gets assigned an arson case. 18-year-old Epp-Kai has admitted to the crime but he cannot see the girl's motive. His partner, an experienced investigator, already has enough work and doesn't think it's necessary to have further conversations with the accused. The young investigator senses however that Epp-Kai is hiding something.

The bus driver notices that the bus has regular passengers, but they don't know each other, they just argue and bicker. The driver deviates from the route, takes the bus into the forest, starts driving, and hides and starts watching from a distance.

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Rejected by Law (Sheung-kwun Kwan-wai), ruffian Koo (Wong Yee) exacts his vengeance by making Law lose her job. When her father is injured at work, her brother Fai and boyfriend Tse resort to obtaining a loan. Koo even kills their creditor and frames the murder on Tse. Law and her brother sow discord between Koo and his mistress, eventually exposing their crime and leading to Tse's acquittal. While retaining her feminie elegance and charm in subtle details, Law resourcefully eliminates all the threats and dangers. Unlike other conventional detective dramas of Cantonese films, this film is filled with a sense of community and grassroot sensibility. Sheung-kwun Kwan-wai impressively demonstrates a great flexibility and versatility in her characterisation and performance of this female detective role.

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An aspiring journalist travels to his hometown after receiving a letter from a respected teacher who claims that she has been forced to retire from her job.

Based on a Bengali story, Gotrantar by Subodh Ghosh.

The youth construction team celebrated Anatoly and Varya's wedding with fun. Without giving importance to the first quarrel, Varya, however, once admitted to herself that she did not understand Anatoly's aspirations for a cozy furnished life. She tried painfully to understand her husband, who was jealous not only of her work, but also of her friend Kostya. When the spats became more frequent, Varya took little Vasilk with her and traveled to the Urals together with the installers.

Told as a film within the film, the story concerns an aging actress. Ewa is a flamboyant, pushy actress whose career and love life have come to a dead end. She lives in a faceless housing development. She is totally engrossed in herself and dreams of making a comeback as a singer. But her overbearing personality time after time sets her into conflict with those she tries to work with in the theater and her bedroom.

World War II has ended and many soldiers return to their houses and families. But three of them find themselves with big problems when they arrive at their home village.